STUDIO TERRY FAXTON - sales on sedition, rental on lux,for collectors

"Terry Flaxton has been an impassioned, indefatigable presence in British Independent Video for some time, during which he has assembled an impressive body of work encompassing powerful, polemical documentary (produced as a member of ground-breaking outfits Vida and Triplevision) and highly personal, poetic video art. What unites these separate strands of Flaxton's video making is a strongly held belief in the medium's ability to change our image of the world - or at least that restricted view of it obtained through the television screen. In Flaxton's eyes, a faith in video's transforming potential burns undiminished. More to the point, in Flaxton's hands, much of the medium's radical promise goes some way towards being fulfilled."Key Works: 1970's Talking Heads, 1980's Prisoners, The World Within Us, 1990's Zagorsk, 2000's One Second to Midnight & In Other People's Skins, 2010's The Intersection of Dreams & Arabesque

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"Terry Flaxton's shrewd and paradoxical installation "In Other People's Skins" contributes to the deconstruction of traditional video. The restless and versatile British filmmaker refuses usual interactivity, and displays, instead of a normal screen, a laid dinner table; then invites the viewer, through a very precise projection, to try to match the virtual guests' gestures. An unforeseeable and bewildering end follows." Techne Catalogue, Milan

"It was great to see your piece as it is supposed to be seen. Interactivity in the best sense: perhaps the only meaningful sense at this point in history." A fellow artist on seeing In Other People's Skins for the first time

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New Work Reviews of work Work chronology Presentation on Cine-montage In Other People's Skins
BLINK Un Tempo, Una Volta Water Table CINEMATOGRAPHY Work chronology
A short interview at the Milan InVideo Festival China Exhibition - China Video (Xi'an) Un Ritratti di Cannaregio (exhibition) A Ten minute Tour of the P3 Exhibition, 2010 Portraits of University of Bristol's Centenary
A Verbatim History of Digital Cinematography Click Here for link to sedition sales Click here for rental of work on Lux Comments from the tour of IOPS Prints from 'Until I'm Gone''
Below: a series of 20 foot x 9 foot life-sized Portraits Projects from Beijing to Venice, to New York to Bristol - eachof the250 subjects stood for 1 minute (as a reference to to early photographic exposure times)

Recent Exhibitions

2018, SCCA, Center for Contemporary Arts-Ljubljana, screening of works 1976 - 2018

2018, Test Previews: "To Stand and Stare: A Somerset Landscape" Bristol Rixie, Glastonbury Red Brick, Street The Grange and also Axebridge Cinemas, 2017 Echo Park Film Centre, Los Angeles

2017 Royal West of England Bristol, Drawing, Inscription, Abstraction, Intersectionality (Comprised of Drawing: via Portraits of New York,

Inscription: via Drawings and Inscriptions, Abstraction: via The consciousness of the Least of all the Species, Intersectionality: via The Consciousness of Trees)

2017 Romeinse Katakomben Museum, Netherlands, July to September to October (Drawings and Inscriptions) - 2017 Romeinse Katakomben Museum, Netherlands, July to September March, Reflections on Water

Below: Reimaginng Venice. A triptych of around 180 images set within a 'Cinemontage'

Recent Exhibitions

2017 PLASTIK Festival, Dublin, Prisoners (1983) part of LUX show - 2016 December, CMIR:THREE, Bristol Portraits of Britol Youth - 2016 November, In Other People’s Skins, Presidential Palace, Florence

October  2016 - March 2017 The Cathedral of St John the Divine, New York, The Intersection of Dreams (In Re Salvador Dali - Triptych) -2016 Atkinson Gallery, Somerset, Westhay, Kings Canyon, Fuertaventura (Mosaic Triptychs)

2016, RWA Bristol Reimagining Venice (Mosaic Triptych)

Below, The intersection of Dreams (after Dali). This is the central panel of triptych recently exhibited for 2 six month periods in the Cathedral of St John The Divine in New York




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