| |
|
|
|
|
|
|
|
|
|
|
| Various posters for exhibitions etc click to enlarge |
|
 |
| |
 |
 |
|
Moving Image Artworks: From the Present back to 1976 in this column |
|
Works from 1976 - 1980 |
|
|
|
|
|
| |
Click here to go to Sedition for access to works |
|
|
|
|
|
|
|
| |
Without Meaning (4 parts (available on Sedition) 2018 - 2019 |
|
The Bristol Harbourside Installations (2005) |
|
|
Older works for rental at Lux |
|
Television Histories of Video Art |
| |
The Laniakean Paradigm - 7 parts (2019) |
|
Putting
the Installations In |
|
|
Presentiments 1977 |
|
On Video 1 (84/85) Channel 4 UK |
 |
|
Reimagining New York Mid June 2019 |
|
The
BBC Come Visit |
|
|
The Fashion Show 1977 |
|
On Video 2 , (84/85) Channel 4 UK |
| |
Sanctus - 1 of 7 parts of a Digital Requiem (2019 - 2020) |
|
Night
on Perot's Bridge |
|
|
Talking Heads 1978 |
|
On Video 3, (84/85) Channel 4 UK |
 |
|
Triptych (3 screen installation) 2018/2019 : Intersection, : i) The consciousness of the Least of all the Species, ii) of Trees, iii) of all the Elements |
|
The
Dockers Window |
|
|
Inside Comics 1979 |
|
On Video 4: TV or not TV (86/87) European Work Channel 4 UK |
| |
Drawing, Inscription, Abstraction, Intersectionality 2017/2018, (single screen work), i) Drawing: New York, ii) Inscription: Drawings and Inscriptions, iii) Abstraction: |
|
Pero's Bridge Sound Installation |
|
|
Chinese Comics 1979 |
|
On Video 5 Statement of the Art (86/87) European Work Channel 4 UK |
| |
via The consciousness of the Least of all the Species, iv) Intersectionality: via The Consciousness of Trees)
The Consciousness of Trees – available on Sedition 2018
|
|
Footsteps |
|
|
Eisenstein: Programme of attractions 1979 /1983 |
|
In the Belly of the Beast with John Wyver, (88) ITV |
| |
Arabesque: The consciousness of the Least of all the Species – soon available on Sedition 2019
|
|
The making of Un Tempo Una Volta and Ritratti Di Cannaregio |
|
|
Documentary Rape 1980 |
|
Experimental Narrative |
| |
Portraits of New York – available on Sedition 2014/2017
|
|
|
|
|
Towards Intuition: An American Landscape (1981) |
|
Circumstantial Evidence (83) With Kez Cary |
 |
|
The Divine Being, Inscribed – available on Sedition 2016/2017
|
|
Sound Work 1971 - 1976 |
|
|
Going Local (1982) |
|
Out of Order - the third electronically captured theatrical release 1986 |
| |
Drawings and Inscriptions – available on Sedition 2012/2017
|
|
Documentaries |
|
|
A Slice of the Cake (1983) |
|
Skin Deep (1999/2000) |
| |
Cathedral Steps (after Max Escher) – available on Sedition 2015/2017
|
|
Opening Up (1976) |
|
|
The Gap (1983) |
|
Forever (2003) |
 |
|
Line Dance for Norman McLaren – available on Sedition 2012 - 2017
|
|
Inside Comics (78) |
|
|
Eurythmics (1983) |
|
|
| |
Stained Glass Nature – available on Sedition 2017
|
|
Chinese Comics (Director Penny Dedman) (79) |
|
|
Making News (1983) |
|
Experimental Writing 1992 - 2005 |
 |
|
Barcode Jesus in a Material World – available on Sedition 2017 |
|
Money Talks (79 - 83) (with Cooper, Dedman) |
|
|
Prisoners (1983) |
|
Cinematography 1992 - 2005 |
| |
Landscape Tryptich (Kings Canyon, Westhay, Fuerteventura) 2017 |
|
Going Local (81) |
|
|
The World Within Us (1987) |
|
Awards and Commendations |
| |
'TO STAND AND STARE A SOMERSET LANDSCAP'E - with Charlotte Humpston, Josh Randall, 72 minutes 2017 |
|
A Slice of the Cake (82) |
|
|
The Inevitability of Colour (1989) |
|
Experimental Television Architecture |
 |
|
Triptych: Reimagining Venice 2016 |
|
Bad Neighbours (82) |
|
|
The Object of Desire (1991) |
|
The Byker Wall with Beatrix Campbell (89) |
| |
Barcode Jesus in a Material World 2016 |
|
And Then There Was One (82) |
|
|
Echos Revenge (1992) |
|
The Boots Wets Building with Iwona Blaswick, (90) |
| |
Fuerteventura (2016) |
|
Health Emergency (83) Independent then TX'd on Channel 4 |
|
|
Zagorsk (1992) |
|
The Lloyds Building with Michael Craig-Martin (90) |
 |
|
Portraits of the Youth of Bristol (2013/2016) |
|
Making News (83) |
|
|
|
|
Behind the scenes |
| |
Reflection on Water 2015/2016 |
|
The State of Europe (88) Channel 4, RTE, RTBF ZDF |
|
|
|
|
A history of video in the UK |
| |
The Intersection of Dreams (In Re Salvador Dali) Triptych 2015 |
|
The Lift - 1988 (Dir Penny Dedman) |
|
|
|
|
Rewind Interview (pdf) |
|
|
New York Winter Dyptich 2015 |
|
Cold War Game 1: The USA (89) 52 mins (Directed by Renny Bartlett) |
|
|
|
|
|
| |
Westhay Somerset single screen 3D cinemontage 2015 |
|
Cold War Game 2: The USSR (89) 60 mins |
|
|
|
|
|
| |
MYTH AND MEANING IN THE DIGITAL AGE - 72 minutes 1989 - 2015 |
|
Intensive Care - Programme 1 Health 60 mins (90) Channel 4 |
|
|
|
|
|
| |
|
Trees 2014 single screen 3D cinemontage |
|
Intensive Care - Programme 2 Care 60 mins (90) Channel 4 |
|
|
|
|
|
| |
|
Kings Canyon 2012 - 2013 single screen 3D cinemontage |
|
Rites 91 (Penny Dedman) Channel 4 |
|
|
|
|
|
| |
|
Monumental Portraits of the Working People of Somerset 2011/2012 |
|
Animal Rites (92) Channel 4 |
|
|
|
|
|
| |
|
In Other People's Skins (2010/2012) |
|
The Garden Wonder, ITV 2005 |
|
|
|
|
|
| |
|
Three Plasma Portraits: A Moving Portrait of the Poet Elisabeth Beech - 2010 |
|
|
|
|
|
|
|
| |
|
Three Plasma Portraits: A Moving Portrait of the Artist, Charlotte Humpston - 2010 |
|
Experimental HDR work |
|
|
|
|
|
| |
|
Self Portrait in the Digital Domain 2010 |
|
'THE HUMAN CONDITION' 2013 world's Ist higher frame rate, HDR movie |
|
|
|
|
|
| |
|
Mes Petits Cartes Postales des Beijing - 2010 |
|
An initial non HDR cut of the 1st HDR movie - some of this will apear as overexposed as its displaying in non HDR space |
|
|
|
|
|
| |
|
Three Plasma Portraits: A Moving Portrait of the Window Cleaner, Alfred Glasspole (2010)
Portraits of the Flat Iron, New York - 2010 |
|
|
|
|
|
|
|
| |
|
Portraits of the Arrow Tower, Beijing - 2010 |
|
|
|
|
|
|
|
| |
|
Portraits of Shoreditch, London - 2010 |
|
|
|
|
|
|
|
| |
|
Until I'm Gone 2010 - Set of 6 prints |
|
|
|
|
|
|
|
| |
|
Wood, Wave, Wetland, Moor 2010 The Elemental Wave 2010 |
|
|
|
|
|
|
|
| |
|
The Unfailing Landscape 2010 |
|
|
|
|
|
|
|
| |
|
James loves Sarah 2010 |
|
|
|
|
|
|
|
| |
|
Glastonbury Tor 2010 |
|
|
|
|
|
|
|
| |
|
Smoke Piece 2010 |
|
|
|
|
|
|
|
| |
|
In Re Richard Long 2010 |
|
|
|
|
|
|
|
| |
|
Water Table (HD Version) (2010) |
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
| |
|
Moving Image Artworks 2000 - 2010 |
|
|
|
|
|
|
|
| |
|
One
Second to Midnight Chinese Version (09) |
|
|
|
|
|
|
|
| |
|
Portraits of the University of Bristol's Centenary 2009 |
|
|
|
|
|
|
|
| |
|
The Divine Being 2009 |
|
|
|
|
|
|
|
| |
|
Portraits of the Somerset Carnivals (08 - 09) |
|
|
|
|
|
|
|
| |
|
Portraits of Cannaregio (08) - Un Ritratti di Cannaregio |
|
|
|
|
|
|
|
| |
|
Portraits of Glastonbury Tor (08) |
|
|
|
|
|
|
|
| |
|
The Dinner Party (HD Version 08) |
|
|
|
|
|
|
|
| |
|
In Re Ansel Adams(08) |
|
|
|
|
|
|
|
| |
|
Un Tempo, Una Volta (08) |
|
|
|
|
|
|
|
| |
|
Dance Floor (HD Version) (08) |
|
|
|
|
|
|
|
| |
|
The Sum of Hands (08) |
|
|
|
|
|
|
|
| |
|
Autumn Dusk Cafe Scene (08) Venice |
|
|
|
|
|
|
|
| |
|
The American Dream (08) |
|
|
|
|
|
|
|
| |
|
The Unfurling (08) |
|
|
|
|
|
|
|
| |
|
In Other People's Skins (08) |
|
|
|
|
|
|
|
| |
|
'14 History Lessons, 18 Visions, 21 Beatitudes' premiered at Salisbury Arts Center Autumn 2010 including Colour polyptych In
My Own Footsteps, Part 1 (07), Part 2 (08) Part 3 (08) - Epilogue: Unreal Timepiece (05 - 08), Thr Eye Projects the World (05), TImepiece (05), Echo's COmpassion, Echo's Gift (06) The Mystery at the Heart of Meaning (07) |
|
|
|
|
|
|
|
| |
|
Blink Title Sequence (06) |
|
|
|
|
|
|
|
| |
|
One
Second to Midnight Russian Version (06) |
|
|
|
|
|
|
|
| |
|
The
Birds (06) Somerset |
|
|
|
|
|
|
|
| |
|
On
this day the Eternal Flame of Chimera Burns (06) Turkey |
|
|
|
|
|
|
|
| |
|
WATER TABLE SD version - higher res of standard definition (05) |
|
|
|
|
|
|
|
| |
|
DANCE FLOOR SD Version (04) |
|
|
|
|
|
|
|
| |
|
WINGS (2003) 1 Georgia 2 Present Birthday Present, 3 Frida |
|
|
|
|
|
|
|
| |
|
THE
DINNER PARTY SD version (03) |
|
|
|
|
|
|
|
| |
|
Towards Aquarius (2002) |
|
|
|
|
|
|
|
| |
|
Moving Image Artworks 1990 - 1999 |
|
|
|
|
|
|
|
| |
|
The Colour Trilogy 2) Echo's Revenge (92) |
|
|
|
|
|
|
|
| |
|
The Colour Trilogy 3) The Object of Desire (92) |
|
|
|
|
|
|
|
| |
|
Zagorsk (92) USSR |
|
|
|
|
|
|
|
| |
|
Moving Image Artworks 1980 - 1989 |
|
|
|
|
|
|
|
| |
|
DOCUMENTARY
RAPE (80) (with Cooper, Dedman) |
|
|
|
|
|
|
|
| |
|
Towards Intuition: An American Landscape 50 minutes (80 - 81) (with Cooper, Dedman) |
|
|
|
|
|
|
|
| |
|
The Gap (83) (with Cooper) |
|
|
|
|
|
|
|
| |
|
Eurythmics (83) |
|
|
|
|
|
|
|
| |
|
PRISONERS (83
- 84) |
|
|
|
|
|
|
|
| |
|
The World Within Us (88) |
|
|
|
|
|
|
|
| |
|
The Colour Trilogy 1) The Inevitability of Colour - premiered on Channel 4 in 1989 premiered at the 92 Bonne Bienalle & London Film Festival |
|
|
|
|
|
|
|
| |
|
Moving Image Artworks 1970 - 1979 |
|
|
|
|
|
|
|
| |
|
Sound Work 1971 - 1976 |
|
|
|
|
|
|
|
| |
|
Class Act 1971 |
|
|
|
|
|
|
|
| |
|
U238 (77) (Directed by Anthony Cooper) |
|
|
|
|
|
|
|
| |
|
THE
FASHION SHOW (78) (with Cooper, Dedman Eshetu, D'escury) |
|
|
|
|
|
|
|
| |
|
TALKING
HEADS (78/79) (with Cooper, Dedman) |
|
|
|
|
|
|
|
| |
|
Eisenstein: Programme of Attractions (79 - 83) (with Jones) |
|
|
|
|
|
|
|
| |
|
Presentiments (77) (with Cooper, Dedman) |
|
|
|
|
|
|
|
| |
|
Opening Up (1976) |
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|