"Terry Flaxton has been an impassioned, indefatigable presence in British Independent Video for almost two decades. During this time he has assembled an impressive body of work encompassing powerful, polemical documentary (produced as a member of ground-breaking outfits Vida and Triplevision) and highly personal, poetic video art.

What unites these separate strands of Flaxton's video making is a strongly held belief in the medium's ability to change our image of the world - or at least that resrtricted view of it obtained through the television screen. In Flaxton's eyes, a faith in video's transforming potential burns undiminished. More to the point, in Flaxton's hands, much of the medium's radical promise goes some way towards being fulfilled.

A gifted lighting cameraman, whose skills are extensively sought both inside and outside the industry, Flaxton brings a consumate polish to everything he shoots, exemplified equally by the verite Prisoners (1984) and the visionary The World Within Us (1988). A similar finely-honed sensibility distinguishes later pieces, like The Colour Myths (1990 - 1995), which draws heavily from an up-to-minute-palette of digital effects. Attempting the kind of rhapsodic fusion of image and language that few of his contemporaries could contemplate, let alone execute, Flaxton's later works have tended to divide opinion; but there is no doubting their vigour, integrity and sheer visual panache."

Steven Bode, A Directory of British Video Artists, Editor david Curtis, Arts Council of England, John Libby Media/University of Luton Press, 1995

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Latest Retrospective: Strasbourg Spring 2010: Video Les Beaux Jour. Latest Tour, In Other People's Skins - Vasteras Sweden, Spring 2010.

This work will exhibit at the Cathedral of St John the Divine in New York, Spring 2010 for thee months

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